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Franklin and Marshall uk Packaging design characte

 
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PostPosted: Sat 22:15, 07 May 2011    Post subject: Franklin and Marshall uk Packaging design characte

Packaging design characteristics of the times and the national character of the relationship between thinking


The end of commercialization, and its heterogeneity and originality wiped out. formed, such as Picasso's Cubism, but also after years of each period and to absorb the results of predecessors and a lot of artistic practice natural, but mountains were established masters are few, in most cases, the there is an element of the re-discovery and development techniques, and then use a new way. Designer Kan Tai-keung, such as the use of language in the flat areas of ink break. Artists and designers to form individual superficial cultural symbol borrowed IV characteristics of the times on the packaging design packaging design thinking and nationality of the characteristics of the era and nationality are not contradictory, Throughout the world history of design development for the packaging of each country with the cultural and economic background related. UK packaging design, pay more attention to the British public to the tradition of consumer culture, the German packaging design philosophy by its rigorous way of thinking, rich tradition of rational design features. France presents a kind of financial packaging design and artistic spirit in one of the features. The Japanese packaging design face rapid economic development, and integrate a large number of Japanese traditional visual elements, but also reflect the sense of the times. The emergence of a group of outstanding packaging designers. Packaging design from Japan, the development process point of view,[link widoczny dla zalogowanych], for the same in the context of Oriental culture, the more we can learn from the place. Japanese packaging design time by more than thirty years the West has completed nearly a century away, and the formation of a unique Japanese style, it is because they absorb foreign culture, while promoting more strongly aware of the importance of the national cultural tradition, In the traditional and modern, between East and West found a suitable package design their own cultural development. Thus,[link widoczny dla zalogowanych], both the strong Japanese design characteristics of the times, but also contains the spirit of profound oriental culture. Mr. Zhong Jingwen famous folklorists in the early eighties said: not only to come in,[link widoczny dla zalogowanych], and will get into it, like the tides, what if we can not keep the inherent and can not move forward in their development of the foundation, then the culture may become a vassal of a foreign culture. Any nation without their own culture, whether it how developed in the material, spiritual and cultural aspects of it will become the captive of a foreign culture, the result is undoubtedly tragic. Mr. Zhong Lao words over a decade ago, is still heard today, thought-provoking! Undeniable, in the traditional culture and generation gap that exists between modern design, how to eliminate the gap it? Packaging design concept is that with the changes in people's lives change, the rapid development of commodity economy, people will inevitably impact the design concept, the other hand, will lead the commodity ahead of the design of economic prosperity, such as fashion design, car design and even building design, etc.,[link widoczny dla zalogowanych], to social development and play an active effect. This requires packaging designers firmly grasp the pulse of the times and go to to find inspiration in life, establish design ideas, looking forward to design the ideal, rather than behind closed doors, in the small room in the brood. The design of the current status of the domestic point of view, only the pursuit of many designers design sensational form, incomprehensible, and even the design of many currencies to achieve fame and fortune 9, keen to participate in major events, to take certain awards, but lost sincere understanding of life, no life, no design art, the truth will always have meaning. Focus on life, good digestion and absorption of foreign culture, the essence of the competitiveness of the development of self in order to resist Western cultural and economic aggression, this is not shirk our current historical responsibility of the designer. Era of progress and social development. The era of responsibility and urgency compels us to face each designer had to think about the tradition and learn from foreign cultures and the face of the vast space of innovation. Into the twenty-first century, China's packaging design, as we enter a new historical stage, the need for more rational thinking, but also a strong sense of national responsibility, will lead the Chinese people to create,[link widoczny dla zalogowanych], improve the design of a new national system. China Packaging 2007/44

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